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Der Illusionist [Edizione: Germania]

Chomet, Sylvain (Regista) Età consigliata: 6 anni e più Formato: Blu-ray
4,6 4,6 su 5 stelle 402 voti
Collaboratore Chomet, Sylvain
Lingua Francese
Tempo di esecuzione 1 ora e 20 minuti
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Dettagli prodotto

  • Aspect Ratio ‏ : ‎ 1.77:1, 1.85:1
  • Età consigliata ‏ : ‎ 6 anni e più
  • Lingua ‏ : ‎ Francese
  • Dimensioni prodotto ‏ : ‎ 13,4 x 1,5 x 17 cm; 81,65 grammi
  • Riferimento produttore ‏ : ‎ 504029
  • Regista ‏ : ‎ Chomet, Sylvain
  • Tempo di esecuzione ‏ : ‎ 1 ora e 20 minuti
  • Data d'uscita ‏ : ‎ 18 ottobre 2012
  • Sottotitoli: ‏ : ‎ Tedesco
  • Lingua ‏ : ‎ Francese (DTS-HD 5.1)
  • Studio ‏ : ‎ STUDIOCANAL
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  • ASIN ‏ : ‎ B008N5L4V8
  • Numero di dischi ‏ : ‎ 1
  • Recensioni dei clienti:
    4,6 4,6 su 5 stelle 402 voti

Recensioni clienti

4,6 su 5 stelle
4,6 su 5
402 valutazioni globali

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Traduci tutte le recensioni in Italiano
John R
5,0 su 5 stelle Grandiosa película
Recensito in Messico il 6 luglio 2023
Acquisto verificato
La película llegó a tiempo y en buen estado. La película es preciosa, una gran animación acompaña a una bella historia, viene con subtítulos solo en inglés, pero son pocos diálogos, la mayoría es muy intuitivo de seguir el ritmo a lo que pasa, gran película.
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01012018
5,0 su 5 stelle Beschreibung
Recensito in Germania il 21 novembre 2021
Acquisto verificato
Ok mit der Beschreibung
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Monique Beauregard
5,0 su 5 stelle Joli film pour tous les groupes d'âge.
Recensito in Canada il 30 maggio 2020
Acquisto verificato
Cadeau à un client âgé qui le visionne au moins deux fois par mois.
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Bill Kinney
5,0 su 5 stelle The Illusionist and Jacques Tati
Recensito negli Stati Uniti il 13 maggio 2011
Acquisto verificato
Any discussion of this film must first have a little background filled in about Jacques Tati. Tati was the son of a Russian father and a Dutch mother and his birth name was Tatischeff. Most of Tati's films have him as the main character, M. Hulot. Hulot's signature props are a rain coat, umbrella and a pipe (noticably missing in this film). Hulot was also a pantomimist whose gestures kept the dialog to a sparse minimum  Mon Oncle - Criterion Collection . In Tati's films the sound effects also helped to carry the story and add a humorous touch. The sound track for Mr. Hulot's Holiday M. Hulot's Holiday - (The Criterion Collection) , for example, took two years to edit. In Tati's younger days he fathered a daughter out of wedlock with whom his sister forced him to severe all ties. There was controversy over the rights to the screenplay which I will let my readers research for themselves.

Now to the film itself.

The name of the magician (Tatischeff) is, in my opinion, Chomet's beginning homage to Tati. To continue and complete that homage there are several things at work. The choice of screenplay is the first to get my attention. The screenplay was written in the mid 1950's and some believe it was motivated by Tati's guilt over abandoning his first born daughter and her mother. This film, I feel, expresses what Tati would have done differently had he the choice. The magician is also a characature of Tati down to all the gestures and mannerisms. In this film, too, the dialog is sparse and subtitles are not necessary. The sound track is also done with the same sensitivity as Tati and helps to carry the story and to replace the spoken word. When our magician takes refuge in a theater what we see on the screen is a scene from Mon Oncle. The color pallet for the film is reminiscent of the openning scene of Mon Oncle. Subtext would have to be the death of live theatrical performance (vaudeville) with the advent of television. M. Hulot could not come to grips with the modern world. A furher tribute to the sadness Tati must have felt over leaving a child behind is the melancholic expression on the magician's face throughout the entire film.

In conclusion, Silvain Chomet has created an outstanding film and loving tribute to one of France's greatest comedic actors. The film is absolutely beautiful in its detail and really looks great in bluray.
6 persone l'hanno trovato utile
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James Dickson
5,0 su 5 stelle Words don't do it justice
Recensito nel Regno Unito il 24 ottobre 2011
Acquisto verificato
A thoroughly endearing and charming adventure, chronicling a period of an illusionists life as he heads toward the end of an age, for himself, his lifestyle and his vocation. On his travels he encounters much joy, merriment and compassion as the characters he meets - in particular a young local girl - help enthuse his passion and skill but ultimately draw out his personal reflections in what becomes a surprisingly moving denouement.

The illustration is as good as you would expect from a Sylvain Chomet feature, though the characters are less caricatured than in his previous outings, perhaps in an attempt to invoke greater pathos concerning the more mature (though often light hearted) content. The landscapes and backdrops to the characters are wonderfully atmospheric and evoked strong personal memories of Scotland and will no doubt inspire those who haven't visited to do so. Despite these technically beautiful achievements, one of the outstanding beauties of the film is not it's palate, landscapes and character design, but the fact that there is virtually no dialogue. That which is present, consists only of distinctively accented mutterings to help establish the fact there's a language divide between the main characters.

Don't be fooled into thinking the lack of dialogue suggests a lack of complexity or purpose; if anything it befits the time, setting and context ideally, reflecting the universal nature of 'silent' film, emphasising the fact that divides can be overcome simply through action and expression, suggestion and gesticulation, and the very physical presence and talent of people like Jacques Tati. With the help of this restraint, there is a particular moment where the few words which are used, become all the more powerful when they are revealed, presenting a real triumph in the films overarching sentiment. (Sorry for sounding a little cryptic here, but to say more might spoil it).

This film is more than a sombre reflection of the 'good old days' where conjurers were kings and children rejoiced in the simple innocence and oddity of a rabbit in a hat; at the heart of the film is the subject of change, in individuals as well as relationships. The inescapable fact that whatever world we live in, change can come faster than we might like or be able to cope with, and the fact that change is as necessary as it is inevitable, from the seemingly insignificant changes in trends (from magicians to rock and roll bands) to the magnificent change in character of a child through adolescence into adulthood. The relationship between the young girl and the illusionist is what drives the film yet we are constantly reminded that they are effectively worlds apart, as one is growing up whilst the other is growing old. Their bitter-sweet story is perfectly balanced, portrayed with a sort of respectful 'out with the old, in with the new' approach, bestowing both dignity and hope to each character.

The Illusionist successfully evokes a lingering nostalgia of past times, accompanied by a mild irreverence, yet an acceptance, of the inevitably changing world. Chomet's interpretation of Tati's screenplay strikes me as being a sincere reflection of Tati's quite personal thoughts and feelings and I was left feeling ultimately moved and wholly rewarded by the experience of this intelligent, mature and entertaining animation.
5 persone l'hanno trovato utile
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