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Funny Face [Blu-ray]
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Genre | Comedy |
Format | Import, Blu-ray |
Contributor | Audrey Hepburn, Fred Astaire, Kay Thompson, Robert Flemyng, Sunny Hartnett, Virginia Gibson, Funny Face, Michel Auclair, Stanley Donen, Jean Del Val, Dovima, Suzy Parker See more |
Runtime | 103 minutes |
Studio | Paramount |
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Product Description
Sweden released, Blu-Ray/Region A/B/C : it WILL NOT play on regular DVD player. You need Blu-Ray DVD player to view this Blu-Ray DVD: LANGUAGES: English ( Dolby Digital 5.1 ), English ( Dolby TrueHD ), French ( Dolby Digital 2.0 ), German ( Dolby Digital 2.0 ), Italian ( Dolby Digital 2.0 ), Japanese ( Dolby Digital 2.0 ), Spanish ( Dolby Digital 2.0 ), Danish ( Subtitles ), Dutch ( Subtitles ), English ( Subtitles ), Finnish ( Subtitles ), French ( Subtitles ), German ( Subtitles ), Italian ( Subtitles ), Japanese ( Subtitles ), Norwegian ( Subtitles ), Spanish ( Subtitles ), Swedish ( Subtitles ), SPECIAL FEATURES: Interactive Menu, Scene Access, SYNOPSIS: Photographer Richard Avedon was both a visual consultant on Funny Face and the inspiration for Astaire's debonair character in Donen's charming Pygmalion tale of an intellectually-minded shop girl transformed into a glamorous fashion model by Astaire and a Diana Vreeland-esque magazine editor - played by the irrepressible Kay Thompson, who gleefully steals her every scene. The purest expression of Donen's inimitable musical style, Funny Face is simultaneously joyful and elegant, sentimental and funny, lavish and restrained. The film's expressive color palette, stunning widescreen compositions and wonderfully evocative set design culminate in a giddy montage sequence of the transformed Hepburn modeling Givenchy's latest styles across a dream-like Paris. SCREENED/AWARDED AT: Cannes Film Festival, Oscar Academy Awards, ...Funny Face
Product details
- Is Discontinued By Manufacturer : No
- MPAA rating : Unrated (Not Rated)
- Package Dimensions : 7.1 x 5.42 x 0.58 inches; 2.88 ounces
- Director : Stanley Donen
- Media Format : Import, Blu-ray
- Run time : 103 minutes
- Actors : Audrey Hepburn, Robert Flemyng, Fred Astaire, Kay Thompson, Michel Auclair
- Subtitles: : English, Spanish, French
- Producers : Funny Face
- Language : French (Dolby Digital 2.0), English (Dolby Digital 2.0), Spanish (Dolby Digital 2.0)
- ASIN : B008I74KIA
- Country of Origin : Sweden
- Number of discs : 1
- Best Sellers Rank: #259,454 in Movies & TV (See Top 100 in Movies & TV)
- #7,714 in Comedy (Movies & TV)
- Customer Reviews:
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Fred Astaire is winning as fashion photographer Dick Avery and Kay Thompson is marvelous as Miss Prescott, the one-track mind owner of Quality Magazine he works for. Hepburn is adorable as the shy New York bookstore clerk, Jo Stockton. They bully her into letting them do a photo shoot, making a mess off things for her to clean up. From the moment Donen's camera catches her sliding on the ladder in panic we are in love and we know it won't be long before Jo and Dick are also.
Jo is a shy intellectual, mad about empathicalism, a screwy philosophy endorsed by Professor Emile Flustre (Michel Auclair) who, of course, lives in Paris. Once Dick displays his own brand of empathy by kissing Jo while they are cleaning up, he gets an idea for a new layout and the seed of love is planted in Jo's heart. Donen captures Hepburn's child-like yet feminine grace like no one else ever has and her wistful and waif-like beauty has never been seen to better advantage than in Funny Face.
Making Jo the face for Quality magazine may not be such an easy task, however, as it goes against everything she believes. Being chased by Miss Prescott's minions, Jo ducks into Dick's darkroom, where she and Dick share a lovely song and dance moment to the title-tune, Funny Face. Once Jo discovers it will all lead to Paris, where she can meet the great empathicalist, Emile, she gives the green light and the fun really begins.
Stanley Donen staged every song himself, and it shows. That moment that nearly always exists in every musical, even the great ones, when we are tempted to fast-forward and get on with the story, simply does not exist here. Every number is lively and imaginative, easily holding our interest. None of the numbers is more joyful or fun than the one when they first arrive in Paris and become typical tourists. Ray June's photography shows off the beautiful City of Lights and the funny and happy face of Audrey Hepburn in wonderful fashion.
It is like watching a great chef make the sweetest and most delicious of pastries as Dick takes Jo through one great shoot after another all over Paris, transforming the cocoon into a butterfly. The two share a lovely song sequence in a garden with a brook outside a church, when Jo finally tells Dick she is in love with him. Hepburn in a white wedding gown is as elegant and graceful as the doves and swans surrounding them.
There are some fun complications involving Jo's idol Emile, of course, who Dick knows is more man than philosopher. A fun and frantic ending caps a film that is a sheer delight from beginning to end. Astaire was somewhat older than Hepburn and it seems to work in the film's favor, as you could see where the innocent Jo would need a more worldly man to appreciate her charms rather than take advantage of them.
This is a wonderful confection from Stanley Donen, who would work with Audrey once again in another classic, Charade. The little girl from Holland who aided the Dutch resistence during WWII grew into one of the most lovely and luminous stars ever to grace a movie screen. She is gone now and Funny Face is a wonderful way to remember her......
When this film's star Audrey Hepburn began her film career, she had serious daddy issues on screen as a result of the choices made by her handlers. Fresh from her Oscar triumph in "Roman Holiday" (1953), Audrey was cast in "Sabrina" (1954), opposite two fellow Oscar winners, Humphrey Bogart and William Holden, one considerably older than she, the other not so much. In "Funny Face" (1957), Fred Astaire is definitely in the daddy category as was her co-star Gary Cooper in "Love in the Afternoon", made the same year. The pattern of putting the screen's eternal gamine opposite aging male superstars reached its apotheosis in "Charade" (1963), returning Audrey to Paris and her favorite designer Givenchy in the company of Cary Grant. In that film, the May-November romance is both mocked and fulfilled.
The formulae of classic American romantic comedy decreed the union of the above the title stars by film's end and so it is with "Funny Face". Audrey is afforded the opportunity to learn from America's foremost male film dancer, Astaire, in this eye-poppingly colorful rendition of classic Gershwin songs, grounded in an Oscar nominated, flimsy but serviceable script by Leonard Gershe. Hepburn and Astaire ("He Loves and She Loves") must end up together, but the Astaire character's true soul mate is editor-in-chief Maggie Prescott, played with razor sharp wit and panache by Kay Thompson in a rare film performance.
Talk about strong women : the real life Anna Wintour and the fictional Miranda Priestly of "The Devil Wears Prada"(2006) would be docile and conciliatory in comparison to the Kay Thompson character. No wonder she's shocked when Astaire announces his love for Hepburn. While many in the audience would share such a sentiment, lethal ambition, the desire to dominate ("Think Pink"), and impeccable taste have combined to make both editor and photographer the apogee of American fashion in the film's stylistic universe.
The film itself has been beautifully transferred to Blu-ray, using British spellings for the English subtitles (there are loads of aural options) and a tin ear for American slang ("bozazz" for "pizzazz"). While the quality of the flesh tones varies, none is particularly disturbing. The color palette (black was and still is the hipster color) and sound mixing are very true to the 1950's, with Donen's "Singin' in the Rain" (1952) being the template and Minnelli's "Gigi" (1958), the last hurrah.
The Parisian locations and the gorgeous costumes are worth are the purchase price by themselves. Those who have plowed through Jean Paul Sartre's "Being and Nothingness", either in the original French or in English translation, will hopefully have the sense of humor requisite to appreciate existentialist thought simplified into empathicalist feeling and its philosopher priest into a classic French roue.
"Bonjour Paris" says it all- bonjour tous les artistes in the making of this exquisite film.
Top reviews from other countries
l'état du DVD d'occasion est très correct.
J'ai eu une appréciable surprise à l'intérieur du DVD.
4 magnifiques affiches cartonnées collector du film éditées sous la forme d'une carte postale sont présentes dans ce DVD.
C'est peut-être normal puisque ce DVD est une édition spéciale mais en tout cas elles sont bien conservées et esthétiquement agréables à regarder.
Je le recommande pour les amateurs du genre.
The Parisian scenes are pure tourist chocolate box and none the worse for it - especially when Astaire gets to dance an impromptu Spanish routine under Hepburn's balcony. Thanks to the DVD release, we're now able to see all three leads in the split screen sequence where they explore Paris. Kay Thompson is a vital force as Maggie, the editor of Quality magazine, who commands "Think Pink" at the start of the show. Hepburn can't really sing but boy does she dance well in a Parisian beatnik bar! Other excellent Gershwin songs such as the title song, "S'Wonderful" and "Ring dem Bells" (the latter a great comic routine for Dick and Maggie as they infiltrate the philosopher's salon disguised as Florida spiritualists) all conspire to make this as effervescent as pink champagne. I think it eclipses Astaire's "The Bandwagon" from the same period, which was largely based around two songs, "Thats Entertainment" and "Triplets". Sure, its hard to believe Hepburn would fall for Astaire, given the age gap, but I thought musicals were all about suspension of disbelief anyway! Treat yourself and check this little gem out.
Le film enchaine des scènes très rythmée, amusantes et sans prétention, avec de magnifiques passages chantées et dansés avec une relative sobriété. Le charme d'Audrey Hepburn éclate dès les premières scènes d'un film qui donne une grande place à son sourire éclatant. Fred Astaire, dans un rôle inspiré par le célèbre Roger Avedon, affiche une belle assurance et une toute aussi belle voix. Kay Thompson est remarquable dans son personnage de directrice tyrannique (au point que la Miranda Priestly du « Diable s'habille en Prada » semble avoir inspiré par elle). C'est sans doute l'absence de prétentions, au profit d'une histoire romantique à souhait qui fait tout le charme du film qui, au passage, porte un regard d'une amusante ironie sur les intellectuels et les artistes du quartier Saint Germain des Prés.
Quelques scènes sont particulièrement réussies, notamment la suite de séquences consacrées aux séances de photos dans des lieux emblématiques de Paris, la réunion des empathicalistes ou la scène finale en robe de mariée. « Drôle de frimousse » reste avant tout marqué par la fabuleuse élégance d'Audrey Hepburn et la gaité simple des passages chantés du film.
Les bonus du DVD proposent une gaerie de photos et un reportage sur la Paramount, dans les années 1950.